Only one movie from the 25 highest-grossing films in 2024 could be categorized as a traditional comedy: Beetlejuice Beetlejuice. This was an elaborate spectacle with special effects, a star-studded cast, and a renowned director revisiting a well-known series. Any other film that could somewhat be labeled as comedic also fell into another genre: Deadpool & Wolverine was both a humorous superhero movie, Bad Boys: Ride or Die was an amusing action sequel, Ghostbusters: Frozen Empire was a funny sci-fi sequel, and so on. It’s challenging for comedies to make it onto the list of top-earning films in a year when few comedies are produced and released. It seems that Hollywood has moved away from comedy, and people no longer find humor appealing, right?
As a movie enthusiast who’s particularly fond of laughter and light-hearted tales, let me share some insights about the 1990s comedy scene that might surprise you. Back then, humor was the bread and butter of many studios, with a steady stream of new comedies hitting the big screen almost monthly, if not weekly!
To celebrate this golden era, I’ve compiled a list featuring what I believe to be the funniest film of each year in the 90s. Choosing just one was no easy feat given the wealth of hilarious options available. In fact, I ended up including several honorable mentions for each year too, as there were simply too many deserving contenders!
Defining the “superior” comedies of the year can prove challenging due to personal preferences and differing humor sensibilities. For instance, The Truman Show is among my favorite films from the 1990s, but I wouldn’t necessarily categorize it as an exceptional comedy. Instead, I view it as a masterful exploration of reality television, pop culture, religion, and more. It may not elicit consistent laughter, but its themes resonate deeply with me. In compiling this list, I chose to emphasize the funny elements, keeping in mind that humor can be subjective from one person to another. And here is my pick…
The Best Comedy Movie Every Year of the 1990s
1990: Gremlins 2: The New Batch
The original “Gremlins” film was so dark for a children’s movie that it led to the creation of the PG-13 rating, bridging the gap between family-friendly PG films and mature R-rated ones. In contrast, “Gremlins 2: The New Batch” stirred up no such controversy. For this sequel, director Joe Dante moved away from horror for young audiences towards a more lighthearted tone similar to a live-action “Looney Tunes” cartoon (he even brought in legendary animator Chuck Jones to create new “Looney Tunes” segments). The Gremlins became less threatening and much more comedic, with one Gremlin spoofing the Dustin Hoffman movie “Marathon Man.” The film’s rebellious spirit was also reflected in self-referential appearances by figures like wrestler Hulk Hogan and film critic Leonard Maltin. To this day, the “Is it safe?” Gremlin still brings laughter.
Other notable mentions include “Home Alone” and “Quick Change.
1991: The Naked Gun 2 1/2: The Smell of Fear
Initially, the first “Naked Gun” film received favorable reviews compared to typical broad and silly comedies. Critics often underestimate these types of films. However, both sequels garnered mixed to negative responses. If there’s one thing critics undervalue even more than broad, goofy comedies, it’s the sequels to such comedies. So, is “The Smell of Fear” as amusing as the original “Naked Gun”? Not quite. But that doesn’t make it a bad film. In fact, the “Naked Gun” series might be the most consistently funny comedy franchise ever made. Perhaps the saying holds true; movie comedies and critics don’t always get along, much like eating a spoonful of Drano – it may clean you out, but it leaves you feeling empty inside.
As for other notable mentions, there are “The Addams Family” and “Hot Shots!” as well.
1992: Wayne’s World
In 1992, I watched “Wayne’s World” for the first time and laughed so hard, particularly at Mike Myers and Dana Carvey mocking product placement in movies, that I tumbled out of my seat in the cinema. The only other time this has happened to me was when I saw “The Naked Gun 1.” Despite the fact that “Wayne’s World” is undeniably a product of its era (or perhaps you spend a lot of time watching cable access TV and listening to Aerosmith these days), Myers and director Penelope Spheeris still manage to capture the essence of that period with their humorous touch.
1993: Groundhog Day
In one of the most insightful comedies ever produced, Groundhog Day features an outstanding performance by Bill Murray as self-centered TV weatherman Phil Connors. Initially depicted as a man who fancies himself a deity while forecasting the weather, he finds himself stuck in a small Pennsylvania town during their annual Groundhog Day celebrations. Essentially, the narrative unfolds as the tale of an individual who believes he’s a god, only to eventually discover that he can become one and ultimately learns what it means to be human. Notable mentions for similar films include Dave and Hot Shots! Part Deux.
1994: Ed Wood
Tim Burton transformed the life story of Edward D. Wood Jr., a director known for “Plan 9 From Outer Space,” from potentially being a comical spoof in other hands, into one of the most sincere and humorous portrayals of filmmaking ever made. In Ed Wood (played by Johnny Depp), we see a dreamer struggling within Hollywood’s hierarchical system, where financing often trumps artistic expression. Although not quite an artist at Orson Welles’ level, Ed Wood is far from being a fool. He embodies the typical protagonist that Tim Burton often features in his work. Notable mentions include “Clerks” and “Dumb and Dumber.
1995: Clueless
People who attended high school in the 1990s can confirm: Although our personal high school experiences differed significantly from those portrayed in “Clueless” (particularly for those not wealthy young women from Beverly Hills), this movie still evokes a vivid, almost hallucinatory feeling of our teenage years. Packed with pop culture and fashion references, revisiting this film today is like unearthing a time capsule — one of the funniest movies from the 1990s, featuring standout performances by Alicia Silverstone and Paul Rudd, as well as Amy Heckerling’s unforgettable screenplay.
Notable Mentions: “Get Shorty”, “Tommy Boy
1996: Happy Gilmore
A film needs to be quite amusing for it to spark a fanbase eager for a sequel even three decades later. As expected, the original “Happy Gilmore” remains entertaining, not just because of Adam Sandler’s energetic portrayal of a mediocre hockey player turned golf prodigy, but also due to its absurd elements: Ben Stiller’s unaccredited role as a retirement home employee exploiting residents, Richard Kiel as the menacing golf spectator with a spike in his head, golf legend Lee Trevino frequently appearing to express disapproval of Happy’s outrageous behavior, and of course, the prolonged fight scene with Bob Barker from “The Price Is Right.” While some ’90s comedies have become as stale as old ice cream, “Happy Gilmore” remains fresh.
1997: MouseHunt
In the 2010s, Gore Verbinski earned a strong fanbase among film connoisseurs who appreciated his diverse blockbusters such as The Ring, Rango, and the Pirates of the Caribbean series. Interestingly enough, Verbinski’s quirky directorial debut, MouseHunt, has not received the same level of adoration – possibly because it resembles The Naked Gun in its heavy use of slapstick humor. It tells the tale of two brothers (portrayed by Nathan Lane and Lee Evans) who are on a mission to capture a mouse causing chaos in their ancestral home. With hilarious physical gags, stunning special effects, and the characteristic technical finesse of Verbinski, this film is reminiscent of an animated adventure. If you haven’t seen it yet, give MouseHunt a watch.
As for other notable works, consider Austin Powers: International Man of Mystery and My Best Friend’s Wedding.
1998: Dirty Work
Norm Macdonald never received the recognition he deserved during his lifetime. He was let go from SNL, apparently because he was too funny, and continued to create quality work across various platforms until his passing in 2021. Many of his projects were met with critical disapproval, such as his attempt at becoming a leading man in cinema, the movie “Dirty Work.” With a low rating of 14 on Rotten Tomatoes, this film may not have had an impressive storyline or tasteful jokes. However, it is consistently funny and Norm’s performance stands out. (Even though his wardrobe choices were peculiar – why are his shirts so oversized?!) A reminder to self: Re-watch “Dirty Work” this weekend.
Notable mentions include “There’s Something About Mary,” “The Wedding Singer.
1999: Galaxy’s Quest
In the realm of outstanding films that deserved sequels but didn’t, and are all the more captivating for it, the film “Galaxy’s Quest” stands out as possibly the best unofficial production within a franchise. Although not an official part of the “Star Trek” universe, anyone who hasn’t been residing in a cave on the asteroid where Captain Kirk battled the Gorn would surely appreciate how masterfully “Galaxy Quest” mocks “Star Trek” and “Star Trek” fandom. The cast of a canceled TV series named “Galaxy Quest” are mistaken for genuine heroes by an alien race, who transport them across the cosmos to aid them in repelling an invasion. With exceptional comedic acting and a clever script penned by David Howard and Robert Gordon, “Galaxy Quest” not only paid tribute to but also skewered “Trek” and Trekkies, and is considered among the finest sci-fi comedies ever produced.
Honorable Mentions: “Election,” “Office Space
The Worst ’90s Movies
25. The Bonfire of the Vanities (1990)
The elaborate cinematography found throughout this film, despite being quite abundant, fails to salvage Brian De Palma’s “The Bonfire of the Vanities” from some of the most questionable casting choices in ’90s cinema. Each of the main actors seems miscast for their roles; Tom Hanks struggles to convincingly portray a blue blood, Melanie Griffith lacks depth as his mistress, and Bruce Willis’ overly confident demeanor hinders him from effectively conveying the despair of his alcoholic journalist character. While a film can often overcome one subpar lead performance, when all three leads are mismatched for their roles, the result is an undeniable catastrophe.
24. The Ghost and the Darkness (1996)
This movie, lasting for approximately 45 minutes, is quite dull. It revolves around a lethargic Val Kilmer portraying an Irish man struggling to construct a bridge in Africa. However, his efforts are consistently disrupted by the presence of lions – or at least, it seems that way due to some questionable editing and subpar lion special effects. These animals allegedly keep devouring his laborers. The arrival of Michael Douglas with a thick Southern accent and voluminous mullet does add a touch of amusement, but not enough to rescue the film entirely. For a far more engaging film about big game hunting directed by the same person, consider watching “Predator 2”.
23. Teenage Mutant Ninja Turtles III (1993)
As a fervent advocate for the timeless appeal of “Teenage Mutant Ninja Turtles” in the world of comic-book films, I’d like to reiterate my stance: The third installment, specifically “Teenage Mutant Ninja Turtles III,” falls flat. In contrast to the inaugural film, which offered a gritty, atmospheric martial arts experience with genuinely remarkable creature effects, this one is a lackluster time travel tale featuring Ninja Turtles that appear as if they were bought from a Spirit Halloween store. Their poor cinematography leaves the green plastic skin reflecting lights in certain shots. The film takes an agonizing 30 minutes to propel the Turtles out of their sewer hideout and into feudal Japan, and once they arrive, the events that unfold are hardly captivating.
22. Wild Wild West (1999)
In the last 25 years, if you’re seeking an illustration of what seems to have gone awry in Hollywood, look no further than the grand spectacle that is “Wild Wild West.” This production, originally based on a faintly remembered source, morphed into a bloated blockbuster, drowning in extravagant special effects. The entire endeavor was such a fiasco that its leading man, Will Smith, openly despises it; he now refers to it as his most regrettable film and a persistent blemish on his career.
21. Blues Brothers 2000 (1998)
It’s no simple task to replace John Belushi as Jake Blues in “Blues Brothers 2000,” and I question if making Elwood have a cloying child sidekick was the best choice. (Rumor has it that director John Landis wanted Macaulay Culkin for the role, but that plan didn’t come to fruition, which might have been the moment they should have eliminated the entire subplot.) The music in “Blues Brothers 2000” is as good as the original film, but almost everything else – from the humor to the characters – reeks. In the final Battle of the Bands, the Blues Brothers mysteriously turn into dancing zombies, a scene that’s dreadful but does symbolize the lack of life in this entire ill-conceived project.
20. Blank Check (1994)
Despite the questionable romantic dynamics between the child protagonist and an older woman in the movie “Blank Check” (which should indeed be acknowledged as problematic), one cannot deny that the film is essentially about a self-centered character who is surrounded by even more selfish individuals. The aim seems to be transforming a dishonest, arrogant main character, who squanders $1 million on unnecessary items, into a sympathetic figure. The movie’s emphasis on money being the ultimate value in life is so blatantly crass and vulgar that it appears as though this film was crafted by extraterrestrials from “They Live.
19. Ringmaster (1998)
At the peak of “The Jerry Springer Show”‘s fame, Jerry Springer starred in a film titled “Ringmaster”, where he portrayed a puzzled host of a seedy talk show named “Jerry”. Despite appearing satisfied amidst the eccentrics and attention-seekers who graced his real-life show, Springer appears awkward in this movie as it revolves around a fictional reenactment of similar scenarios involving professional actors. Some of the supporting cast manage to handle the sleazy content competently, but it’s hard to ignore that this film features a main character who seems uncomfortable and unwilling to participate.
18. Dying Young (1991)
In the early ’90s, Julia Roberts struggled to replicate the success of her iconic film, “Pretty Woman.” One of her less successful attempts was “Dying Young,” a collaboration with director Joel Schumacher. In this movie, Roberts portrays another ordinary character who, through her charm, persistence, and affection, transforms a wealthy yet emotionally distant man. The man is played by Campbell Scott, who portrays a self-centered, manipulative individual using his leukemia as an attractive trait, which might work in a film that tackles these themes sensitively. However, “Dying Young” presents Scott’s character as a sympathetic figure, and the ill-fated relationship between him and Roberts is depicted as a heartbreaking romance. It’s not a pleasant watch, to be honest.
17. Nothing But Trouble (1991)
As a movie enthusiast, I must confess that it comes as no shock to learn that this film was partially inspired by Dan Aykroyd’s nightmares. Few cinematic experiences feel as authentically and disquietingly dreamlike as this one, from the gruesome violence to the actors adorned in unsettling prosthetic makeup, the sudden Digital Underground musical number, the confounding technology powering the ancient judge’s labyrinthine residence, and everything in between. I recall vaguely attempting to watch it as a child, but I distinctly remember flipping past it on cable, and even brief glimpses of Chevy Chase tumbling into heaps of human bones or Aykroyd as an oversized diapered baby were enough to give me nightmares. Indeed, this is one of the most uncomfortable Hollywood productions I’ve ever laid eyes on.
16. Steel (1997)
If you’re searching for a not-so-great film from the 1990s, you can’t make a mistake if you look for movies featuring Shaquille O’Neal in the main role. In “Steel”, he takes on the part of an armored superhero, modeled after a DC character who temporarily replaced Superman in comic book stories. Although Superman is absent, the storyline had to be significantly altered to accommodate Steel’s origin. Shaq possesses the physicality for a superhero role and appears to enjoy himself, but the script is filled with self-deprecating jokes – Shaq repeatedly misses basketball shots and then shrugs, there are references to Richard Roundtree about his fondness for the “shaft” of Steel’s hammer. Furthermore, the Steel costume itself looks dreadful, making “Steel” feel more like an overly long, disastrously unfunny Saturday Night Live skit rather than a proper movie.
15. Double Dragon (1994)
In the film adaptation of this popular arcade brawler, the straightforward narrative – two brothers battling gangsters to save a girl – was enriched with various sci-fi elements. Instead of rescuing a girl from common thugs, brothers Billy (Scott Wolf) and Jimmy (Mark Dacascos) now confront an unscrupulous businessman (Robert Patrick, reminiscent of Vanilla Ice’s wicked stepfather) for possession of a mystical pendant in a post-apocalyptic Los Angeles. This decayed cityscape is plagued by acid rain and natural disasters, which seem incongruous but offer some striking visual effects, such as beautiful matte paintings from that time period. Additionally, the actual Double Dragon video game is integrated into this universe, adding an element of intrigue for viewers trying to reconcile these elements.
14. Mr. Nanny (1993)
In a surprising contrast, a man who’s no stranger to the camera glare, Hulk Hogan, appeared awkward on screen. Stripped of his flamboyant wrestling persona, he portrayed an unusually rigid character in this replica of Home Alone, titled Mr. Nanny. Here, Hulk plays a struggling wrestler who is coerced into the role of a bodyguard for a tech mogul’s unruly children. The kids subject him to various Kevin McCallister-like pranks and traps until, in an unexpected twist, they take a liking to him and behave impeccably. The film features plenty of physical humor, but only two instances that truly elicited laughter: One scene where Hulk refuses to fix a rigged wrestling match, leading the promoter to retaliate by shooting Sherman Hemsley (apparently, pro wrestling is recognized as a genuine sport in the Mr. Nanny cinematic universe). The other amusing moment is a random and puzzling scene where an individual in the background of a montage mercilessly throws his dog into the ocean. That’s a tough one to swallow!
13. Spawn (1997)
The movie titled “Spawn” is an atrocious piece of work, filled with awkward dialogue, over-the-top masculine attitudes from Michael Jai White and Martin Sheen, numerous fart humor scenes, and some of the ugliest special effects ever seen in a film produced by a major Hollywood studio. The only way it could be more comical is if it were made into a kids’ summer camp project with sessions on archery and lanyard crafting. It might offer a few intentional chuckles, but that’s pretty much the extent of its entertainment value.
12. North (1994)
Among the most infamous movie flops of the last decade, “North” garnered one of Roger Ebert’s most memorable and scathing reviews during his long career in film criticism: “I detested this movie. Detested, detested, detested, detested, detested this movie. Detested it. Detested every shallow, offensive moment of it.” Remarkably, the film matches Ebert’s harsh critique. For instance, around the 20-minute mark, Dan Aykroyd and Reba McEntire appear as exaggerated Texas caricatures singing a song about their deceased son who perished in a rush. Subsequently, a sequence ensues where characters make jokes about a child’s “crack.” To add insult to injury, Kathy Bates portrays an Inuit woman who sends her father (Abe Vigoda) off to die with dignity on an ice floe. Ebert wasn’t joking around.
11. The Scarlet Letter (1995)
In the late 1980s and early ’90s, the erotic thriller genre experienced a surge in popularity, with many adult-oriented dramas being produced by Hollywood following the success of “Fatal Attraction”. However, as the ’90s progressed, there was a shift towards more broad family-friendly entertainment to cater to a wider audience. The failure and poor quality of “The Scarlet Letter” significantly contributed to this genre’s demise. The movie, which claimed to be a loose adaptation of Nathaniel Hawthorne’s novel, felt more like a young adult’s interpretation of the story rather than an accurate portrayal. The original themes of guilt and sin were replaced by explicit sex scenes and a questionable performance by Robert Duvall as Hester Prine’s husband. Overall, it seemed less like a classic literary work and more like a modern retelling of “The Red Shoe Diaries” with red shoes presumably symbolizing its adult content.
10. Stop! Or My Mom Will Shoot (1992)
In the 90s, Sylvester Stallone produced several movies that were less than stellar, such as Daylight, Judge Dread, and The Specialist, just to mention a few that come to mind after enduring them. However, among these subpar films, Stop! Or My Mom Will Shoot stands out as one of the worst, even surpassing his early softcore film before Rocky catapulted him to stardom. This movie lacks humor in any form, neither being amusing ironically nor having a so-bad-it’s-good charm. The premise isn’t terrible; I can envision a humorous take on an overbearing mother. But this film is far from that vision.
A consistent and believable portrayal of Estelle Getty’s character would have improved the movie. In one scene, she appears to be a simpleton, while in another she acts like a supercop. She knows how to escape handcuffs but seems oblivious to the fact that buying an Uzi from the back of a van might be illegal. This inconsistency is supposed to be funny, but it falls flat and comes off as absurd instead.
9. Jason Goes to Hell: The Final Friday (1993)
In the movie “Jason Goes to Hell: The Final Friday,” the iconic character Jason Voorhees, known for his antisocial behavior and love for slaughtering campers in a hockey mask, undergoes a transformation. Instead of remaining a man, he is portrayed as a parasitic worm that takes control of individuals, turning them into ruthless killers. The “Friday the 13th” series, notorious for its complexity even on its best days, introduces an abundance of fresh backstory and rules in this film. These rules revolve around mystical daggers and previously undisclosed Jason relatives, providing an explanation as to why no one could defeat Jason before (apparently, a mystical dagger was required that the screenwriters hadn’t thought of earlier). It’s also worth mentioning that the title “Jason Goes to Hell” seems somewhat misleading, since Jason spends most of his time in various locations other than hell, such as a house, a diner, a jail, and a coroner’s office. The only way the title makes sense is if it serves as a succinct critique of the film itself.
8. Turbo: A Power Rangers Movie (1997)
Although “Mighty Morphin’ Power Rangers” may not have been top-notch, it seemed they invested a bit more than typical episodes in production. Conversely, “Turbo: A Power Rangers Movie” looks just as cheesy as any common “Power Rangers” TV show, or perhaps even cheaper; I don’t recall any “Power Rangers” episode with such poorly executed action sequences. It appears every line of dialogue was re-recorded in post-production, giving the impression it was spoken in another language or maybe the sound team forgot to turn on the microphone. It’s astonishing that a film so poorly made could be distributed across hundreds of cinemas nationwide.
7. The Jerky Boys: The Movie (1995)
As a child, I listened to my share of Jerky Boys tapes and found myself laughing on numerous occasions. However, even as a fan, I disliked “The Jerky Boys: The Movie.” In this film, Johnny Brennan and Kamal Ahmed, the two Jerky Boys, essentially portray themselves and then make prank calls to a mobster, leading him into a crime story. The problem with the movie is that it’s fundamentally flawed: The essence of the Jerky Boys lies in their unscripted phone calls. Why would anyone want to watch them manipulate characters in a fictional narrative whose reactions are pre-planned? It’s like creating a full-length movie based on “Whose Line Is It Anyway?”
The appeal of the Jerky Boys is that their calls are unscripted, so it doesn’t make sense to watch them manipulate characters in a planned story. It’s like making a film based on a show where everything is improvised.
6. Inspector Gadget (1999)
In the ’80s, one of my all-time favorite animated TV shows had me hooked. Fast forward to the ’90s, and this beloved series morphed into a rather grating blockbuster movie. First issue: casting. Matthew Broderick is a delightful, humorous chap, but his subtle, nerdy charm doesn’t gel with Inspector Gadget’s boisterous, clumsy persona. (Rupert Everett, too, seems miscast as the sinister Dr. Claw.) The visual effects are over-the-top compared to the original cartoon, and the film, which appears to have been haphazardly edited by anxious studio execs, barely clocks in at 70 minutes before credits. Incredibly, it’s still too lengthy.
5. Chairman of the Board (1997)
In a surprising turn of events, one wouldn’t anticipate greatness from a film starring stand-up comedian Carrot Top, and the movie titled “Chairman of the Board” falls short of even that expectation. The story revolves around an unlucky inventor who befriends a wealthy businessman (Jack Warden), who later passes away and leaves him his company. Despite the potential for humor, the film fails to deliver. However, it did provide one of the most memorable moments in late-night TV history when Norm Macdonald frequently interrupted an interview with “Chairman of the Board” co-star Courtney Thorne-Smith on Conan O’Brien’s show to share his thoughts on a potential Carrot Top movie. (“If it’s got Carrot Top in it, you know what a good name for it would be? Box Office Poison!”)
4. The Avengers (1998)
In my humble opinion, as a film critic, let me share my thoughts on the 1998 adaptation of “The Avengers,” which is not related to the Marvel universe in any way you might expect. This movie features Ralph Fiennes and Uma Thurman as its heroes, but they don’t exactly embody the concept of ‘avenging’ throughout the film. In fact, the title seems rather misplaced considering how disjointed and confusing the plot is.
The film clocks in at a mere 90 minutes, and it often feels like crucial scenes are missing. One moment ends, and the next begins in an entirely different location, leaving viewers puzzled about how our protagonists managed to travel from one place to another. The action sequences with special effects are present, but the narrative threads that would have knitted these moments together, providing character development, motivations, and a glimmer of humanity amidst the relentless visual spectacle, are conspicuously absent.
In essence, “The Avengers” feels more like a condensed summary of itself rather than a complete film experience.
3. It’s Pat: The Movie (1994)
The 1990s saw several disappointing spinoff movies from Saturday Night Live, but none more so than the excruciatingly tedious film about Julia Sweeney’s character, Pat, who was known for her awkward and ambiguous persona. Just like in her TV sketches, people are constantly questioning whether Pat is male or female, a mystery that intensifies in the movie with the character of Kyle (Charles Rocket), Pat’s fixated neighbor. It’s Pat presents this obsession with Pat’s true identity as distasteful and uncomfortable, which it certainly is. However, one has to wonder why an entire comedy and all its jokes revolve around this subject? Regardless of gender, Pat is a terrible protagonist for a film, not because of their gender but due to their self-centered, irritating, unfunny, and downright cruel nature. The movie follows Pat as they steal a friend’s job as a radio show host, mock the friend about taking her job, and then berate all callers for being too mundane. From start to finish, it is an agonizing experience.
2. Mad Dog Time (1996)
In simpler terms,
1. Frozen Assets (1992)
Despite the fact that other comedies on this list might not be particularly amusing, they’re like a masterpiece next to “Frozen Assets.” It seems as though this film was created with the intention of making the least funny movie ever. Corbin Bernsen stars as a modest bank executive who is tasked with revitalizing a struggling branch in Oregon. However, this isn’t your typical bank; it’s a sperm bank! Ha ha! Ho ho! (Please note that this is the only joke in the entire film.) Bernsen is only concerned about making the sperm bank profitable, which puts him at odds with the bank’s chief scientist, played by Shelley Long. He treats her abominably, but naturally, she develops feelings for him. Additionally, Larry Miller plays a significant role as an escaped mental patient who begins working at the sperm bank under Bernsen. I can’t stress enough how terrible this movie is. At all costs, steer clear of “Frozen Assets.” In fact, I would gladly pay to never watch it again.
Read More
- Евро обгонит чилийское песо? Эксперты раскрыли неожиданный сценарий
- Прогноз криптовалюты INJ: прогнозы цены INJ
- Прогноз криптовалюты USD1: прогнозы цены USD1
- Евро обгонит новозеландский доллар? Эксперты раскрыли неожиданный сценарий
- Доллар обгонит рубль? Эксперты раскрыли неожиданный сценарий
- Евро обгонит рубль? Эксперты раскрыли неожиданный сценарий
- Евро обгонит гривну? Эксперты раскрыли неожиданный сценарий
- Прогноз криптовалюты AAVE: прогнозы цены AAVE
- Прогноз криптовалюты SPX: прогнозы цены SPX
- Прогноз криптовалюты METH: прогнозы цены METH
2025-07-16 16:31