REVIEW: “Midwinter Break” (2026)

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I’m concerned that “Midwinter Break,” a thoughtful and moving drama, might not get the attention it deserves. The film is anchored by fantastic performances from Lesley Manville and Ciarán Hinds, but it offers much more than just its stars. Polly Findlay’s debut as a director is truly remarkable, and the film’s impact stays with you long after it ends.

“Midwinter Break” initially appears to be a simple story about a relationship, and on some level, it is. However, the film quickly reveals deeper layers of meaning. We follow Stella (Manville) and Gerry (Hinds) on vacation in Amsterdam and gradually discover the complex themes the movie explores. The director carefully unpacks these themes through the couple’s outwardly pleasant connection, as well as the personal difficulties they’ve both hidden for a long time.

“Midwinter Break” is based on Bernard MacLaverty’s 2017 novel and explores themes familiar to long-term couples. The story thoughtfully examines how past trauma can shape a person’s life, while also delving into the intricacies of relationships. Director Findlay beautifully portrays both the happiness of growing old together and the vital importance of open communication.

I recently watched a beautiful film centered around Stella and Gerry, a couple who’ve clearly shared a lifetime of love. Their story begins in Ireland, shadowed by a frightening event during The Troubles – something that deeply affected them, though thankfully didn’t destroy them. They rebuilt their lives, moving to Glasgow where Stella found her calling as a teacher and Gerry became a successful architect. Now, with their son Michael grown and starting his own family, the film offers a poignant look at their quiet, reflective years – a lovely, bittersweet exploration of a life well-lived.

As we learn more about Stella and Gerry, it becomes clear they’re facing underlying issues. Stella is deeply religious, while Gerry is skeptical and often teases her about it. Gerry also drinks more than he lets on. Hoping to reignite their connection, Stella surprises a thrilled Gerry with a trip to Amsterdam.

While exploring the city’s charm, Stella and Gerry both grapple with personal struggles. These issues come to a climax when Stella shares her true feelings, leading to a deeply emotional second half of the film. This is where the director skillfully reveals hidden depths in their relationship and characters, brought to life by incredibly genuine performances from Manville and Hinds – every moment feels real.

Findlay lets the story unfold naturally, and while some viewers might find the pace slow, it’s actually quite deliberate. Each scene, even the seemingly unimportant ones, offers a meaningful glimpse into the characters and moves the story forward. Findlay excels at showing us subtle details in everyday moments, and as these moments accumulate, we gain a clearer understanding of the couple’s relationship.

Stella’s painfully honest admission – “I’m married, though I don’t know if we have much of a marriage left” – is incredibly impactful, and it sets the tone for the entire film, “Midwinter Break.” The movie tackles difficult subjects with sincerity and realism, offering a rare and thoughtful experience for adult viewers. It’s a deeply personal, subtle, and emotionally rich story, told with remarkable restraint. All of this makes “Midwinter Break” a standout drama and a must-watch for 2026.

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2026-02-21 19:57