It’s been two years since The Super Mario Bros. Movie became a billion-dollar success, and Chris Pratt is returning as Mario. Alongside him will be familiar faces like Peach, Luigi, and Toad. The new trailer also reveals a powerful new character, Princess Rosalina, voiced by Brie Larson, known for her role in the Marvel Cinematic Universe.
The official Cursed Child Instagram page just shared a video of Tom Felton making a special appearance as Draco Malfoy. The crowd’s reaction was incredible – they gave him a long and enthusiastic standing ovation! You can watch the video below.
Like many Nintendo fans, we at TopMob were thrilled when the new game was confirmed to take place in space, especially because of the character Rosalina. The trailer perfectly captures the magical, space-themed feeling that made the original Galaxy so special on the GameCube. It makes you wish we could have amazing Star Festivals right here on Earth!
The 2021 action thriller One Shot, directed by James Nunn, stars Scott Adkins as Lt. Jake Harris, a highly skilled Navy SEAL. He’s tasked with rescuing a prisoner from a secret CIA location to stop a terrorist attack on Washington D.C. What makes One Shot unique is its clever editing, which creates the illusion of a single, unbroken shot – similar to the style of the film Birdman.
Hiram Garcia, the producer of the Jumanji movies, shared on Instagram that filming for Jumanji 4 has officially started. He posted a picture of the stars – Dwayne Johnson, Karen Gillan, Jack Black, and Kevin Hart – together while rehearsing the script, and said they’re already having a great time working on the new film. You can see the announcement below!
Dwayne Johnson, known for playing Dr. Xander “Smolder” Bravestone in the popular Jumanji movies, announced on Instagram that filming for Jumanji 4 has begun. He shared photos and videos showing the cast at a script read in Los Angeles, confirming that Jack Black, Kevin Hart, and Karen Gillan will return as Professor Sheldon Oberon, Franklin Finbar, and Ruby Roundhouse. Johnson said they were all laughing so much during the read-through that their jaws hurt! The script was written by director Jake Kasdan, along with Jeff Pinkner and Scott Rosenberg.
I’m so excited about Spider-Man: Brand New Day! It’s amazing that they’re including Jon Bernthal as the Punisher, finally bringing him into the MCU movies. And the rumors about Mark Ruffalo’s Hulk going back to his more savage side are really intriguing. Because this story seems like it’s going to be focused on street-level action, I have a feeling the Punisher will be a major player, and I can’t wait to see how Spider-Man and the Punisher interact – that first glimpse was fantastic!
I’m so excited for The Simpsons! They’re airing a special 800th episode on Sunday, February 15th, 2025, at 8:00 PM Eastern Time on Fox. And get this – right after that, at 8:30 PM Eastern, they’re finishing up Season 37 with the finale! Fox just announced this as part of their plans for the winter of 2026, and I’m already marking my calendar!
Bitcoin, тот самый неуловимый цифровой зверь, отскочил от минимумов азиатской сессии, обеспечив поддержку альткоинам, таким как ether 🧠, 🌐, и solana 🌟. Ликвидность продолжает перетекать между секторами – сегодня она переходит от монет конфиденциальности к более мелким проектам, включая ASTER, RENDER, SKY и MNT, которые выросли на 7% 🚀. Весьма примечательное зрелище, если я могу себе это позволить.
Malcolm Duffy looked up to Quentin Tarantino, who had just achieved success at Cannes. Both had backgrounds as bouncers and video store workers in Los Angeles, but their careers took very different paths. By 2000, Tarantino was free to pursue any project he wanted, while Duffy found himself largely unknown after his film failed badly. The atmosphere on set was tense, and as shown in the 2003 documentary Overnight, Willem Dafoe even told Duffy to stay quiet, fearing he would further jeopardize the movie—a sign of the difficulties that Duffy and his film trilogy would face for the next 25 years. Was Duffy’s story simply a lucky break gone wrong, or was it the result of an industry unwilling to support truly innovative filmmakers? The answer is likely a combination of both.