Price Prediction

As a huge fan of animation, I’ve always loved The Simpsons. But what’s really kept me coming back all these years isn’t just the jokes, it’s the characters. They’re flawed and funny, but you genuinely care about them – the Simpsons and the whole Springfield crew make the show. There was one episode, back in ’95, that really stuck with me. It focused on Maggie, and it wasn’t a laugh-riot, but it was surprisingly touching and really resonated with viewers – it just proved how much we’d grown to love them all.

Lots of popular TV shows and franchises have been around for a long time, and they keep getting new spinoffs, reboots, and extensions. This means they continue to thrive even after they’ve technically ended, becoming long-lasting entertainment hubs that don’t seem to have a natural conclusion.

I remember back when the hype for Spider-Man: No Way Home was at its peak, Tom Holland casually dropped a bombshell: he was set to play Fred Astaire in a biopic. That was in 2021, and honestly, we haven’t heard much about it since. But here’s a twist: it looks like the movie might never happen. TMZ got their hands on a letter from Fred Astaire’s widow, Robyn Smith Astaire, to Sony Pictures producer Amy Pascal. In it, she makes it very clear that the estate hasn’t, and won’t, authorize anyone to portray Fred Astaire on screen – in this movie or any other. So, despite Holland’s enthusiasm, it seems a Fred Astaire biopic is officially off the table, at least as far as his widow is concerned.

As the ’90s rolled around, Clint Eastwood started moving away from Westerns, and Unforgiven felt like his heartfelt farewell to the genre for a good while. Kevin Costner really stepped up to fill that void, and he’s carried the torch ever since. But in ’93, something special happened – Eastwood and Costner actually teamed up for a crime thriller, and honestly, it turned out to be a little gem of a movie.

This artwork of Piccolo was originally created for the cover of Shueisha’s Weekly Shonen Jump issue #19, published on April 5, 1988. The cover featured all eight fighters from the 23rd Tenkaichi Budokai – Goku, Krillin, Yamcha, Chi-Chi, Tien Shinhan, Mercenary Tao, Hero (Shen), and Piccolo – in a tense showdown. The cover was assembled by combining individual character illustrations. However, in the final published version, Piccolo ended up mostly hidden behind the magazine’s title. This newly released draft gives fans their first clear look at Piccolo standing powerfully, with a mysterious presence, in almost forty years. At this point in the story, Piccolo’s background was still a secret, which adds to the unique feeling of this early artwork.

As a huge DC fan, I was thrilled to see the universe really open up with shows like The Flash, Supergirl, Legends of Tomorrow, and Batgirl. It meant they could bring in all sorts of other DC characters, and honestly, they took full advantage of that opportunity!

Director Ruben Fleischer, whose new film Now You See Me, Now You Don’t is set to release in 2025, recently discussed the potential for Zombieland 3 in an interview with Deadline. He first shared his interest in directing a Western horror film, something similar in style to Clint Eastwood’s Unforgiven, and then made the following comments:

Although Hill House is a landmark achievement in horror television, it’s not alone in its ability to deliver a truly unsettling and emotionally resonant experience. Several other shows capture similar feelings, building dread slowly through well-developed characters and stories. Whether they explore themes of trauma or simply create a pervasive sense of unease, these series stand alongside Hill House as some of the best horror TV has to offer.

I first discovered The Rocketeer back in the ’80s, and it quickly became a favorite of mine! It was created by Dave Stevens in 1982, and it really took off in the independent comics scene. Originally, the character – Cliff Secord, a super-cool pilot – showed up in another comic called Starslayer, but he was so popular he got his own series. It was a big success, but sadly, Dave had a tough time with getting it published consistently, and it moved between five different companies before he passed away in 2008. It’s a shame, but his work still holds up!