‘Good Luck, Have Fun, Don’t Die’ Review: Sam Rockwell Rules in Raucous Sci-Fi Thriller

Let me tell you, it’s fantastic to see Gore Verbinski back in the director’s chair! It’s been too long since ‘A Cure for Wellness,’ and he clearly has a lot of pent-up creative energy. ‘Good Luck…’ is wonderfully weird – almost to the point of being chaotic, with ideas flying at you from every direction. But honestly, that’s part of the fun. What really holds it all together is Sam Rockwell. He’s brilliant as this mysterious guy from the future, tasked with preventing an AI takeover, and he commits to the role with such manic energy and charm. You genuinely believe he could convince a bunch of strangers to help him save the world! This film is a return to form for a truly gifted blockbuster director, and while it’s a wild ride, it’s a warning we should all pay attention to. If you’re looking for something different and delightfully offbeat, this is it.

Chiwetel Ejiofor’s Cameo As SAM’s Maker In Star Trek: Starfleet Academy Explained

Kerrice Brooks plays SAM, a unique character in the Star Trek universe. SAM is the first hologram to attend Starfleet Academy and also holds a special role as the Emissary for her people, the Kasqians. In the fifth episode of Star Trek: Starfleet Academy, she looks into the mystery of Captain Sisko’s disappearance (from the end of Star Trek: Deep Space Nine) to better understand what being an Emissary means.

‘Pillion’ Review: A24’s Sub-Dom Rom-Com Is Surprisingly Sweet

I was completely captivated by Colin’s story! His life changed in an instant after a gig at the pub. This incredibly handsome biker, Ray – Alexander Skarsgård, seriously, wow – basically made his interest known. But it wasn’t a typical flirtation. Ray didn’t even need to say anything. He just handed Colin a note, and in that moment, the dynamic of their entire relationship was set: Ray would take the lead, and Colin… well, Colin found himself surprisingly thrilled by the idea of letting go.

Misdirection Review: Olga Kurylenko and Frank Grillo Spar in Generic But Effective Battle of Wits

Misdirection is a quick, suspenseful thriller that runs just 82 minutes. While it doesn’t offer anything particularly original, it delivers a solid, familiar experience. The film features a small cast of three actors who manage to make the story engaging, even though much of the time one of them, Joe Grillo, is literally tied up. Director Kevin Lewis, known for Willy’s Wonderland, makes good use of the setting – the sleek, modern house – and keeps the plot moving. Despite being largely a story of deception and psychological games between three people, the film builds to a fast-paced and chaotic ending.

Transformers Officially Returns a Defunct Autobot to the Spotlight in New G1-Inspired Release

I’m really excited about the new Smokescreen figure from Transformers: Age of the Primes! It’s designed with a look that pulls from the 2010s cartoon, but with a cool, classic Generation 1 vibe. We’re finally getting toy images, and it’s awesome to see so many different versions of Autobots from across the Transformers universe in this toy line. It’s especially cool because there’s been a lot of interest lately – both from Hasbro and other companies – in releasing different versions of the Datsun Autobots!

It’s Time to Redeem Scarlett Johansson’s Sci-Fi Epic Lucy

Despite some sci-fi films that didn’t quite hit the mark, like The Island and Ghost in the Shell, one of Scarlett Johansson’s best, and most overlooked, sci-fi movies deserves another look. Lucy, released in 2014, hasn’t gotten the appreciation it deserves, and it’s a shame because it’s a truly exciting film that viewers should revisit.

REVIEW: “Whistle” (2026)

As a movie fan, I have to say ‘Whistle’ had potential. It’s based on a short story by Owen Egerton, who also wrote the screenplay, and the core idea is actually pretty smart. But honestly, it felt like it was built on a bunch of horror clichés. The setting – a typical high school – and the way the characters came across felt really shallow. And there was one character choice that was just… unbelievable! All of this kept the movie from being truly scary, engaging, original, or even making much sense, to be honest.

Disney’s $4.56M Box Office Disaster Is Quickly Salvaged On Streaming With New Audience Two Months After Release

Disney’s 2025 box office results were uneven. While three of their films each earned over $1 billion, the remakes of Snow White and Tron: Ares didn’t perform well with audiences. The year ended particularly poorly with Ella McCay, a film directed by the renowned James L. Brooks, earning only $4.56 million despite costing $35 million to make.